Neoclassical ballet now known as contemporary ballet will help spark interest into the dance world for non dancers. Neoclassical ballet is a ballet style that uses traditional ballet vocabulary but it shies away from the story line and plots of classical ballet and it focuses on the structure and lines. It usually uses extreme tempos and has more complex movement; the spacing is usually more modern or complex than in classical ballet.
George Balanchine used flexed hands and feet, turned-in legs, off-centered positions and non-classical costumes such as leotards and tunics instead of tutus. That helped to distance himself from the classical and romantic ballet traditions. What is left is the dance itself, sophisticated but sleekly modern, retaining the pointe shoe aesthetic, but eschewing the well-upholstered drama and mime of the full length story ballet.
google images- (Balanchine ballet)
George Balanchine first neo classical ballet choreographed was Apollo in 1928. He choreographed other neo classical ballets such as Agon 1957 and Jewels in 1967. Jewels is an award-winning ballet in three parts created for New York City Ballet by George Balanchine. Jewels was called the first full-length abstract ballet. It can also be seen as three separate ballets, linked by their jewel-colored costumes. The dance has nothing to do with jewels; the dancers are just dressed like jewels. Rubies, to me is the most neo classical section in the ballet. It has high kicks, turned in legs, flexed feet, undulations and pelvic movement
Non traditional or classical ballet will keep an audience attention who is use to watching So You Think You Can Dance, which has very entertaining dance pieces with lots of tricks. Story ballets are slow and less exciting there may be a moment or two but not very many. They are pretty and are great for young children. It is important to keep the arts alive and that starts with the younger generation.
Dance is the new black and everyone is watching it. TV shows like Dance Moms and So You Think You Can Dance are changing society’s view on dance. Dance began as a social movement full of expression and technique but today it’s a competition with lots of tricks and lack of emotion on television. In dance as a child you take technique classes in Ballet, because it’s said that it is the foundation for all forms.
Dance Moms shows the competition side of dance at an early age. It follows six young dancers who battle it out every week in new competitions across the country competing in solos and group pieces for the Abby Lee Miller Dance Company. The girls are learning a multitude of styles and tricks for each genre of dance. You can hear Abby screaming about technique and creating technically sound dancers but where is the passion? How can one find the passion behind the tricks and the flashy costumes.
(Google Images- Dance Moms)
Dance Moms is preparing the girls to go on to So You Think You Can Dance. I love the show, however it’s becoming more about the tricks you can do and less about the technique and quality of the movement. I think it’s great that the show makes everyone dance in multiple styles that they usually wouldn’t get, but if it’s a competition let’s make it one, lets take out the dance form “contemporary.” Most of the dancers getting picked to go into the top 20 are jazz or contemporary dancers. Lets challenge them take out contemporary and add African or better yet, take it back to the foundation lets add a Ballet pas de deux.
(Google Images – So You Think You Can Dance Lauren)
The issue is dance is more than tricks and flashy costumes. It is a creative and artistic outlet for expression, that serves a deeper meaning. Classical dance forms like Ballet and Modern are being overlooked. Dance on television is just entertainment, it’s the glamourous side. Dance is not glamourous there are many struggles, one has to be determined and passionate to do it. Media should show both sides.